Emagazine has an interesting piece about so-called sustainable tone-wood production (sitka spruce, mahogany, rosewood, etc.):
Bob Taylor, cofounder and president of Taylor Guitars, says it’s a simple function of “More people, more goods and a higher rate of harvest than regrowth.” And, he says, “We need good, quality wood.”
That’s why Taylor and competitors Gibson, Fender, Martin and Yamaha guitars have banded together with Greenpeace in what they’ve dubbed the “Music Wood Coalition.” Their goal? To encourage sustainable logging practices of sensitive species so that guitar manufacturers can continue to have access to the woods they need, and to protect old-growth forests from over-harvesting.
Not so sure they need to get Greenpeace involved given their clout as manufacturers, but I digress.
Martin has done a wonderful job with this in recent years. I recently acquired a Martin DX1 (by accident really)
, which is largely synthetic (the top is spruce, however). Even the neck is a laminate they call “Stratabond.” And, I have to say, it sounds wonderful. True, it’s not quite as good a sound as an all wood model, but it’ll last forever (that Stratabond neck could withstand a rock slide, I’m sure) and makes for an overall great value, particularly if you’re someone who is into the “sustainable” movement.